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“Writer Mamin-Sibiryak” - Famous children's fairy tales. Hobbies. New life. First book. Dmitry Narkisovich Mamin-Sibiryak. Nicknames. In history. Last years. Early years. Memories. Youth. Works.
"Mumford Town in History" - Layout. Graphic arts. Differences: Cities perform a special cultural function. Crystallization of the city. Tomb (the need to regularly return to burials), shrine, fortress. This at least was the ideal. Come, predator! Main stories. Regression to utopia. Etherealization. Athens Acropolis. See also paragraph “Scheme of materialization and etherealization of urban life.”
“Merezhkovsky “Poet”” - Composition. Symbols. Paths. Theme and idea of the poem. Work. The poet's world. Lexical level. Study of poetic text. Biography of D.S. Merezhkovsky. Dmitry Sergeevich Merezhkovsky. Poet. Rhythm and stanza. Syntactic level. Sound and color painting. Temporal organization of the poem.
“Mom’s Sibiryak Postojko” - What does every dog think about? Part 2. The story "Steady". What breeds of dogs are mentioned in the story? Vocabulary work. Who found the Hedgehog in the poultry yard? What were the names of the shelter workers in the story? Genre of the work: “Smarter than everyone else”? Find it in the text. My attitude. People in the shelter. Forecasting. Write a review or a short “essay”.
“Poem by Yunna Moritz” - Jump and play. Rhyme. The number of syllables in lines is repeated. Roe deer. Business before pleasure. Agniya Barto. Read an excerpt from the poem. Short lines. There is a hut in the forest. Divide the works into two groups. Evgeny Charushin. Robin. How do you distinguish a poem from a story?
There are a total of 24 presentations in the topic
Dmitry Narkisovich Mamin-Sibiryak
(1852-1912)
Prepared by Bobrikova O.S.
Teacher primary classes
MBOU secondary school No. 8
Nizhny Tagil
At this time, the young man began to understand that the work of a priest was not for him. After the death of his father, he became the main breadwinner of the family (there were 2 younger brothers and a sister).
- D.N. Mamin - Siberian began to write. He drew inspiration from trips to his native Urals. He also often visited St. Petersburg, where he worked with magazine editors.
It was literary work, work on fairy tales that helped him survive the tragic death of his wife, his own serious illness and not break down.
- Dmitry Narkisovich dedicated a series of his works for children to his daughter Alyonushka, which he called: “Alyonushka’s Tales.”
D.N.Mamin-Sibiryak
with his daughter Alyonushka.
Over the past few years, the writer has been seriously ill. Dmitry Narkisovich died in 1912 in St. Petersburg, where he was buried
- The writer’s entire life was in one way or another connected with the Urals. That is why in 2002 a literary prize named after him was established, which is awarded to writers writing about the Urals.
Drama Theater named after D.N. Mamin-Sibiryak Nizhny Tagil
Informational resources
- http:// mamin-sibiryak.lit-info.ru
- http:// obrazovaka.ru
- en.wikipedia.org
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BIOGRAPHY of Dmitry Narkisovich Mamin-Sibiryak Prepared by primary school teacher GBOU secondary school No. 349 of the Krasnogvardeisky district of St. Petersburg Pechenkina Tamara Pavlovna
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Dmitry Narkisovich Mamin-Sibiryak 10/25/1852 – 11/02/1912 Russian prose writer and playwright
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Dmitry Narkisovich Mamin-Sibiryak (real name Mamin) was born in the factory village of Visimo-Shaitan, Perm province in the family of a factory priest. Father really wanted Dmitry to follow in his footsteps and devote his life to serving God. Dmitry's family was very enlightened, so he received his first education at home. After this, the boy went to the Visim school for children of workers. The parents' desire to guide their child along a spiritual path led Dmitry to the Yekaterinburg Theological School in 1866. There he studied for two years, and then moved to the Perm Theological Seminary (he did not complete the full course until 1872). Dmitry's extraordinary character can be seen already in these years: he becomes a member of a circle of advanced seminarians, studies the ideas of Dobrolyubov, Chernyshevsky, Herzen. While studying at the seminary, Dmitry writes his first stories - not very good yet, but already indicating literary inclinations.
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In 1872, Dmitry entered the St. Petersburg Medical-Surgical Academy in the veterinary department. Since 1874, to earn money, he wrote reports on meetings for newspapers scientific societies. In 1876, without graduating from the academy, he transferred to the Faculty of Law of St. Petersburg University. After studying for a year, he was forced to leave the university due to financial difficulties and a sharp deterioration in health. In the summer of 1877 he returned to the Urals to his parents. The following year, his father died, and the entire burden of caring for the family fell on Dmitry. To educate his brothers and sister and be able to earn money, he moved to a large Cultural Center Yekaterinburg, where he married Maria Yakimovna Alekseeva, who became for him not only his wife and friend, but also an excellent adviser on literary issues. During these years, the future writer made many trips around the Urals, studied literature on the history, economics, and ethnography of the Urals, and became acquainted with folk life.
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Soon after this, travel essays were published under the general title “From the Urals to Moscow.” They were published for the first time by the newspaper Russkie Vedomosti. The success of Mamin-Sibiryak’s prose makes the publications “Delo”, “Foundations”, “Russian Thought”, “Bulletin of Europe”, “Otechestvennye Zapiski” pay attention to him. Then Mamin becomes Mamin the Siberian. He often signed his works with the literary pseudonym D. Sibiryak, which Dmitry decided to add to his real name. After the publication of these works, the main motives of Mamin-Sibiryak’s work become noticeable: a unique description of the nature of the Urals, its influence on human life. During this period, Mamin-Sibiryan traveled a lot around the Urals, carefully studying the economy, history, and ethnography of the region. Communication with local residents, immersion in the original life of ordinary people provides enormous material for works.
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In 1883, the writer completed work on his first novel from factory life in the Urals, “Privalov’s Millions,” which took ten whole years to create. The novel first appeared in the Delo magazine and gained great popularity. Next year, the novel “Mountain Nest” is published in the pages of the journal Otechestvennye zapiski. This work brought Mamin-Sibiryak the fame of a talented realist writer. Scene from the play "Privalov's Millions"
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In 1890, he divorced his first wife, married Maria Abramova, an artist of the Yekaterinburg Drama Theater, and moved to St. Petersburg. A year later, Abramova died, leaving her sick daughter Alyonushka in the arms of her father, shocked by this death. This tragedy became a very big shock for the writer, which he could not fully cope with until his death. Deep depression was reflected in the letters that Mamin-Sibiryak sent to his relatives during this period.
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However, the writer overcomes the shock of loss and gives maximum attention to his daughter. Creativity at this time is very fruitful, many works for children appear. The cycle of fairy tales “Alyonushkina Tales”, written by Mamin-Sibiryak for his daughter, became one of the best examples of his work. Animals, birds, fish, insects, plants and toys live and talk happily in them. For example: Komar Komarovich - long nose, Shaggy Misha - short tail, Brave Hare - long ears - slanting eyes - short tail, Sparrow Vorobeich and Ruff Ershovich. Talking about the funny adventures of animals and toys, the author skillfully combines fascinating content with useful information, kids learn to observe life, they develop feelings of camaraderie and friendship, modesty and hard work.
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Mamin-Sibiryak took children's literature very seriously. He called a children's book a "living thread" that takes the child out of the children's room and connects him with the wider world of life. Addressing writers, his contemporaries, Mamin-Sibiryak urged them to truthfully tell children about the life and work of the people. He often said that only an honest and sincere book is beneficial. Mamin-Sibiryak’s works for older children tell about the life and work of workers and peasants in the Urals and Siberia, about the fate of children working in factories, industries and mines, about young travelers along the picturesque slopes of the Ural Mountains. A wide and diverse world, the life of man and nature, is revealed to young readers in these works. Mamin-Sibiryak’s story “Emelya the Hunter,” which was awarded an international prize in 1884, was highly appreciated by readers.
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Mamin-Sibiryak Dmitry Narkisovich (1852 - 1912) - famous Russian writer, ethnographer, prose writer, playwright and storyteller. Mamin-Sibiryak (real name Mamin) was born on November 6, 1852 in the Visimo-Shaitansky factory village of the Verkhotursky district of the Perm province, 140 km from Nizhny Tagil. This village, located in the depths of the Ural Mountains, was founded by Peter I, and the rich merchant Demidov built an iron factory here. The father of the future writer was the factory priest Narkis Matveevich Mamin (1827-1878). The family had four children. They lived modestly: my father received a small salary, little more than a factory worker. For many years he taught children for free at a factory school. “Without work, I never saw my father or mother. Their day was always full of work,” recalled Dmitry Narkisovich. From 1860 to 1864 Mamin-Sibiryak studied in the Visimskaya village primary school for the children of workers, located in a large hut. When the boy was 12 years old, his father took him and his older brother Nikolai to Yekaterinburg and sent them to a religious school. True, the wild bursat morals had such an effect on the impressionable child that he fell ill, and his father took him away from school. With great joy, Mamin-Sibiryak returned home and for two years he felt completely happy: reading alternated with wanderings in the mountains, spending the night in the forest and in the houses of mine workers. Two years flew by quickly.
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The father did not have the means to send his son to the gymnasium, and he was again taken to the same bursa. He received a home education, then studied at the Visim school for children of workers, later at the Yekaterinburg Theological School (1866-1868) and at the Perm Theological Seminary (1868-1872). His first creative attempts date back to his stay here. In the spring of 1871, Mamin moved to St. Petersburg and entered the medical-surgical academy in the veterinary department, and then transferred to medicine. In 1874, Mamin passed the university exam and spent about two years at the Faculty of Science. He began publishing in 1875. The beginnings of talent, a good acquaintance with nature and the life of the region, are also noticeable in this work. The author's style is already clearly outlined in them: the desire to depict nature and its influence on people, sensitivity to the changes taking place around them. On the one hand, the author depicted majestic nature full of harmony, on the other, human troubles and the difficult struggle for existence. In 1876, Mamin-Sibiryak switched to law, but did not complete the course here either. He studied at the Faculty of Law for about a year. Excessive work, poor nutrition, lack of rest broke the young body.
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He developed consumption (tuberculosis). In addition, due to financial difficulties and his father’s illness, Mamin-Sibiryak was unable to pay the tuition fee and was soon expelled from the university. In the spring of 1877, the writer left St. Petersburg. The young man reached out to the Urals with all his heart. There he recovered from his illness and found strength for new works. The writer was greatly influenced by the works of Gogol, Belinsky, Nekrasov, Turgenev, Goncharov, Saltykov-Shchedrin, and Chernyshevsky. In the social and everyday novels “Privalov’s Millions”, “Mountain Nest”, “Three Ends”, “Gold”, in the historical story “Okhonin’s Eyebrows”, in the Ural and Siberian stories created in 1880-1890, Mamin-Sibiryak draws a broad a picture of life in Russia in the pre- and post-reform period of its development, the position of various strata of the people, the relationships between various classes of Russian society. The Bolshevik “Pravda” wrote in 1912, under the pen of Mamin-Sibiryak, “the pages of the past of the Urals came to life, an entire era of the march of capital, predatory, greedy, not knowing how to restrain itself in anything.”
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Mamin-Sibiryak wrote about 140 works for children. They were published in progressive magazines: “Children’s Reading”, “Vskhody”, “Young Russia” - and were published as separate books. Many children's books are inspired by Mamin-Sibiryak's love for his daughter Alyonushka. “If only this little droplet understood that she is carrying with her a whole children’s literature!” - wrote Mamin-Sibiryak. However, the decisive role in awakening interest in children’s literature was played by the writer’s observations of the tragic life of children in autocratic-serf Russia, the influence on him of the progressive ideas of that time, thoughts about the role of the younger generation in the destinies of the homeland and the desire to instill in him hatred of the “evil of life”, thirst for the struggle to rebuild society. Mamin-Sibiryak considered children's literature "more important than anything else" because "children are the future of humanity and the future of humanity, and in them are future opportunities." Mamin-Sibiryak wrote journalistic, chronicle and artistic essays for children (“Glorious is the city of Veliky Novgorod”, “Conquest of Siberia”, “On the Chusovaya River”), social and everyday stories and tales (“Spit”, “Underground”, “Under blast furnace", ^Breadwinner", "In learning", "White Gold"), stories about animals ("Medvedko"), landscape sketches ("Green Mountains"), satirical, magical and scientific tales ("The Tale of King Pea" , “Stubborn Goat”, “Postoyko”, “Alyonushka’s Tales”, “Forest Tale”).
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Mamin-Sibiryak’s works for children opposed the children’s books of reactionary writers of the 1880-1890s, who hid social contradictions from the child modern society, instilled in him a naive faith in “God’s providence” and in philanthropy. Mamin-Sibiryak often deliberately built his stories around the unexpected meeting of a child exhausted by overwork and hunger with philanthropic gentlemen, showing that this meeting not only does not alleviate, but even aggravates the suffering of the little robot. Together with these heroes, Mamin-Sibiryak’s stories and tales included the wealth of the people colloquial speech, phraseology, professional vocabulary. “Mama’s words are all real,” wrote A.P. Chekhov. Everywhere the writer easily and freely reproduces in his narration the living intonations, moods and thoughts of the characters, as if acting in the role of a folk storyteller.
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Landscape sketches help to better understand the intent of Mamin-Sibiryak’s children’s books. In the story “Spit,” the “bright summer sun” contrasts sharply with the squalid atmosphere and darkness reigning in the lapidary workshop where Proshka works. In the story “In the Wilderness,” the landscape surrounding the village of Shalaika creates the impression of its remoteness. Here the image of the stormy Chusovaya River with its cliffs and flooded coastline, endless forest surrounding Shalaika with a “green jagged wall” appears. Mamin-Sibiryak vividly captured pictures of Ural nature, its beauty and grandeur, its unique charm at every time of the year in a cycle of stories about hunters and watchmen who selflessly love their land. From this love they draw spiritual strength and wisdom (“Priyomysh”, “The Rich Man and Eremka”, “Winter Quarters on Studenoy”, “Emelya the Hunter”). Mamin-Sibiryak was also a great master of literary fairy tales. His scientific fairy tales (the collection “Fireflies”, “Forest Tale”, “Green War”, etc.) essentially open up that wonderful tradition of Russian natural history fairy tales, which received such wide development in the works of Soviet naturalist writers - Prishvin, Bianki, Charushin. In the collection of fairy tales “Fireflies,” Mamin-Sibiryak advises children to “observe that mysterious life of nature that is constantly boiling around.” In a fascinating fairy-tale form, the writer introduces the child to the characteristics of trees, forest grasses, flowers, the night life of forest inhabitants, and the natural selection and interspecies struggle that occurs in the animal and plant kingdoms.
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Debunking superstition, Mamin-Sibiryak gives real traits to demonological characters. Grandfather Vodyanoy in the collection “Fireflies” is shown as the keeper of forest moisture. This is a gray fog falling to the ground like dew. The goblin resembles a cheerful and crafty old man, the Rusalka resembles a little girl; She plays with a glowing worm and everyone loves her, affectionately calling her “Squirrel.” Referring to the “despicable lower classes” of the hedgehog and calling him a “little little man,” the writer endows him with attractive qualities. The hedgehog is modest, reasonable, resourceful, has an ironic attitude towards “well-bred society” and knows how to stand up for himself. And in allegorical tales, Mamin-Sibiryak preserves their natural qualities in the form of animals, birds and insects. The hedgehog in the fairy tale “Smarter than All” not only personifies folk virtues. From the dispute between the inhabitants of the poultry yard, the child receives a complete understanding of their lifestyle and habits. Mamin-Sibiryak expands the comic elements of the folk fairy tale epic. For example, in “The Tale of brave hare Long Ears, Slanting Eyes, Short tail"He portrays the hare in the traditional spirit - cowardly and boastful. But the comic effect here is greatly enhanced by the episode of the wolf running away from the hare and the mortal fright of the hare, who did not understand that the wolf himself had set the scamper. The scene of the “glorification” of the “brave” hare by his bunnie friends and the self-satisfied boast of the barely surviving simpleton is full of immediate joy.
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Dmitry Narkisovich Mamin - Sibiryak
- Born on November 6, 1852 in the family of a factory priest. Real name is Mamin. He studied at the theological school in Yekaterinburg, at the Perm Theological Seminary, at the St. Petersburg Medical-Surgical Academy. In the veterinary department.
- But since childhood I dreamed of becoming a writer. In 1875 he began reporting work. At the same time, his first stories were published.
- In his works, Mamin-Sibiryak created pictures of Ural nature, showed the unique way of life and way of life of the people living in the Urals. Dmitry Narkisovich made a significant contribution to the development of Russian literary language. His works are of various genres; they convey the spirit of the Russian people, their power, hard work, and love of life.
- Mamin-Sibiryak dedicated his entire life to his seriously ill daughter Alyonushka.
- At the age of 60, November 2, 1912. Dmitry Narkisovich died in St. Petersburg.
- "Alyonushka's Tales".
- "Balaburda."
- "Spit."
- "In a stone well."
- "Wizard".
- "In the mountains".
- "Emelya the Hunter."
- "Green War".
- Legends:
- "Medvedko".
- "On the Chusovaya River."
- "On a way".
- Ruff and Sparrow (2001, cartoon)
- At the Golden Bottom - performance
- Privalov's millions (1972)
- A fairy tale about a little booger (1985, cartoon)
- The Tale of Komar Komarovich (1980, cartoon)
- The Tale of the Brave Hare (1978, cartoon)
- Gray Neck (1948, cartoon)
- Several streets are named in honor of the writer, including one of them in Yekaterinburg.
- In Yekaterinburg on Pushkin Street there is a house-museum of D. N. Mamin-Sibiryak, which opened in 1946.
- In 1963, the Nizhny Tagil Drama Theater was named after the writer.
- The writer is depicted on the front side of the 20 Ural francs banknote issued in 1991.
